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The Buddha in LannaArt, Lineage, Power, and Place in Northern Thailand$
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Angela S. Chiu

Print publication date: 2017

Print ISBN-13: 9780824858742

Published to Hawaii Scholarship Online: September 2017

DOI: 10.21313/hawaii/9780824858742.001.0001

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PRINTED FROM HAWAII SCHOLARSHIP ONLINE (www.hawaii.universitypressscholarship.com). (c) Copyright Hawaii University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in HSO for personal use.date: 10 July 2020

Introduction

Introduction

Buddha Images of the Tai

Chapter:
Chapter One (p.1) Introduction
Source:
The Buddha in Lanna
Author(s):

Angela S. Chiu

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824858742.003.0001

Statues of the Buddha proliferate in Thailand. Every town and province honors its own special Buddha image. The Emerald Buddha, housed on the grounds of the royal Grand Palace, is the country’s palladium. Typically, Buddha images have been defined as devotional reminders or doctrinal symbols, but these explanations fail to account for the complex and deep relationships between Buddha images and their communities. In order to understand Buddha statues, we must consider them as the productions of living societies. The Buddha image is an object that represents not only the Buddha himself but also channels the sometimes divergent interests of the lay devotees and monks who build, consecrate and venerate it. This understanding of the Buddha image as a participant in the social world of its worshippers is strikingly depicted in monastic chronicles, tamnan, from the Lanna region centered in northern Thailand.

Keywords:   Buddha, Thailand, Emerald Buddha, Theravada, École française d’Extrême-Orient, Alfred Gell

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