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Recite and RefuseContemporary Chinese Prose Poetry$
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Nick Admussen

Print publication date: 2016

Print ISBN-13: 9780824856526

Published to Hawaii Scholarship Online: May 2017

DOI: 10.21313/hawaii/9780824856526.001.0001

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Orthodox Prose Poetry

Orthodox Prose Poetry

Ke Lan and Guo Feng

当代正统散文诗: 柯蓝与郭凤‎

Chapter:
(p.69) Chapter Three Orthodox Prose Poetry
Source:
Recite and Refuse
Author(s):

Nick Admussen

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824856526.003.0004

This chapter opens by studying the two most seminal prose poets of the 1950s, Ke Lan and Guo Feng. It shows that by faithfully ventriloquizing state socialism, they effectively subjectivize it, putting the words of the collective into the mouth of the individual. It demonstrates the way in which the political pressures of the 1950s provoked acts of definition and organization on the part of prose poets. The second half of chapter three reads the prose poetry community itself as a key text of orthodox art. It finds that an intentional modeling of prose poetry communities on the structures of the Communist Party has produced a set of dynamics that are hierarchical, inter-organizational, and self-reproductive. These dynamics influence the composition of prose poems through the interventions of educators, editors, and study group administrators, leading to the conclusion that many people participate in the writing of each orthodox prose poem.

Keywords:   orthodox, Ke Lan, Guo Feng, socialism, Communist Party, Hundred Flowers, origin, sociology, community

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