- Title Pages
- Introduction to Contemporary Sino-French Cinemas
Part OneFranco-Taiwanese Cinema
Chapter 1The Sino-French as Métissage
Chapter 2Intertextuality as Métissage in Tsai Ming-liang’s Sino-French Films
Chapter 3Hou Hsiao-hsien’s Flight of the Red Balloon as a Sino-French Makeover
Part TwoFranco-Chinese Cinema
Chapter 4Translations of Dai Sijie’s Balzac and the Little Chinese Seamstress
Chapter 5Imitating Frenchness in Emily Tang Xiaobai’s Conjugation and Jia Zhangke’s The World
ConclusionsMixing It Up
- About the Author
- Contemporary Sino-French Cinemas
- University of Hawai'i Press
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