The Sound of Sanguma
The Sound of Sanguma
Chapter 4 then examines how they sounded and why this is important. The creation of distinctly Melanesian cultural expressions was an important thread in the thinking of Narokobi, Tjibaou, and Hau’ofa, and concerns about imitating dominant Western forms and threats of cultural grey-out were prominent. The chapter delves into Sanguma’s early musical processes towards melding older with modern, that would define an approach that continues to be developed amongst other groups, in Melanesia and Australia, today.
Keywords: musicology, jazz rock fusion, traditional, modern
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