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Ghosts of the New CitySpirits, Urbanity, and the Ruins of Progress in Chiang Mai$
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Andrew Alan Johnson

Print publication date: 2014

Print ISBN-13: 9780824839390

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824839390.001.0001

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Lanna Style

Lanna Style

Chapter:
(p.94) 4 Lanna Style
Source:
Ghosts of the New City
Author(s):

Andrew Alan Johnson

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824839390.003.0005

Just as spirit shrines, in their enactment of margin-center dynamics, acted as microcosms for how Chiang Mai elites positioned themselves vis-à-vis the forest, notions of charismatic potential outlined in the religious practices of Northern Thai spirit mediums have uncanny parallels in how Chiang Mai is positioned vis-à-vis Bangkok. Here, a nationalist-inflected “culture,” made manifest in architecture, film depictions, and other aesthetic representations, serves to replace the possessing spirit in determining progressive potential. Culture brokers represent Northern Thailand in a certain, Orientalized in ways that highlight Chiang Mai’s own marginality as well as its attractive potential. Recast not as a center, but as a periphery brimming with prosperous potential, Chiang Mai becomes malleable, feminized, and open to appropriation.

Keywords:   Aesthetics, orientalism, film, charisma, Thailand, nationalism, culture, progress, architecture, Lanna, Lanna Style

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