The book constitutes an attempt to rethink medieval Japanese religion in light of the recently discovered documents and of the innovative contributions by Japanese scholars. Drawing on the theoretical insights of structuralism, post-structuralism, and Actor-Network Theory, it retrieves what could be called the “implicit pantheon” (by opposition to the “explicit,” orthodox pantheon) of medieval esoteric Buddhism (mikkyō). Through a number of case studies, the book introduces readers to the labyrinthine world of medieval Japanese religiosity, and shows the centrality of the gods in religious dis ... More

The book constitutes an attempt to rethink medieval Japanese religion in light of the recently discovered documents and of the innovative contributions by Japanese scholars. Drawing on the theoretical insights of structuralism, post-structuralism, and Actor-Network Theory, it retrieves what could be called the “implicit pantheon” (by opposition to the “explicit,” orthodox pantheon) of medieval esoteric Buddhism (mikkyō). Through a number of case studies, the book introduces readers to the labyrinthine world of medieval Japanese religiosity, and shows the centrality of the gods in religious discourse and practice. It describes and analyzes the impressive mythological and ritual efflorescence that marked the medieval period, not only in the religious domain, but also in the political, artistic, and literary spheres. While the individual chapters of the book give seem to follow the general taxonomic structure of the esoteric Buddhist pantheon, the proliferation of oblique relationships within and between chapters undermines that hierarchical structure and reveals the existence of a complex network, linking, not only deities, but also rituals, symbols, people, institutions, sacred objects and places.