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Communities of ImaginationContemporary Southeast Asian Theatres$
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Catherine Diamond

Print publication date: 2012

Print ISBN-13: 9780824835842

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824835842.001.0001

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PRINTED FROM HAWAII SCHOLARSHIP ONLINE (www.hawaii.universitypressscholarship.com). (c) Copyright Hawaii University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in HSO for personal use.date: 03 August 2021

Looking Within

Looking Within

The Balinese Rwa Bhineda and Readjusting Complementary Opposites

Chapter:
Chapter 3 Looking Within
Source:
Communities of Imagination
Author(s):

Catherine Diamond

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824835842.003.0004

This chapter focuses on the role of the penasar (mediator between the gods, nobles, and common people) and how it exemplifies the importance the Balinese ascribe to maintaining equilibrium between complementary opposites—the concept of rwa bhineda. Their obsession with ritual to preserve harmonious balance applies to both the catastrophes of macrocosmic proportions and the microcosmic problems in daily life, all interrelated in the tri buana: the three worlds of gods, humans, and demons. While rwa bhineda permeates Balinese culture, even the perception of how “opposites” are defined is not absolute. Hence, acts of performance are simultaneously employed to further the understanding of what constitutes harmony in the modern world as well as restore it.

Keywords:   rwa bhineda, penasar, harmonious balance, tri buana, Balinese culture, performance, modern world

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