Show Summary Details
- Title Pages
- Dedication
- Preface
- Introduction
-
1 Western-Style Painting -
2 Japanese Painting from Edo to Meiji -
3 The Expanding Arts of the Interwar Period -
4 Sensō Sakusen Kirokuga -
5 From Resplendent Signs to Heavy Hands -
6 How Gendai Bijutsu Stole the “Museum” -
7 Fashion Altars, Performance Factors, and Pop Cells -
8 The Creation of the Vocabulary of Aesthetics in Meiji Japan -
9 Okakura Tenshin and Aesthetic Nationalism -
10 Japanese Art Criticism -
11 Sculpture -
12 Can Architecture Be Both Modern and “Japanese”? -
13 The Modern Japanese Garden -
14 Japanese Prints 1868–2008 -
15 Aspects of Twentieth-Century Crafts -
16 Japanese Calligraphy since 1868 -
17 Adoption, Adaptation, and Innovation - Contributors
- Index
- Production Notes
Dedication
Dedication
- Source:
- Since Meiji
- Publisher:
- University of Hawai'i Press
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- Title Pages
- Dedication
- Preface
- Introduction
-
1 Western-Style Painting -
2 Japanese Painting from Edo to Meiji -
3 The Expanding Arts of the Interwar Period -
4 Sensō Sakusen Kirokuga -
5 From Resplendent Signs to Heavy Hands -
6 How Gendai Bijutsu Stole the “Museum” -
7 Fashion Altars, Performance Factors, and Pop Cells -
8 The Creation of the Vocabulary of Aesthetics in Meiji Japan -
9 Okakura Tenshin and Aesthetic Nationalism -
10 Japanese Art Criticism -
11 Sculpture -
12 Can Architecture Be Both Modern and “Japanese”? -
13 The Modern Japanese Garden -
14 Japanese Prints 1868–2008 -
15 Aspects of Twentieth-Century Crafts -
16 Japanese Calligraphy since 1868 -
17 Adoption, Adaptation, and Innovation - Contributors
- Index
- Production Notes
