Japanese Painting from Edo to Meiji
Japanese Painting from Edo to Meiji
Rhetoric and Reality
This chapter discusses the history of Japanese painting from Edo to Meiji by focusing on the career of more than a dozen artists regarded as the leading painters of the period. It begins by providing a background on painting and prints during the Edo period and goes on to examine the transition in Japanese painting from Edo to the Meiji period. It then considers the Japanese government’s support of Western art before turning to the activities of the first generation of Meiji artists. It also analyzes the rhetoric of Ernest F. Fenollosa and his former pupil and colleague, Okakura Kakuzō regarding the development of modern Japanese art. It argues that the new generation of painters and their pupils successfully negotiated the Meiji Restoration and that it was they, not the iconic painters and disciples of Fenollosa and Okakura, who were responsible for what is generally regarded as the later efflorescence of modern Japanese painting.
Keywords: Japanese painting, Western art, Ernest F. Fenollosa, Okakura Kakuzō, Japanese art, Meiji Restoration, Meiji period, Edo period
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