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Mainstream Culture RefocusedTelevision Drama, Society, and the Production of Meaning in Reform-Era China$
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Xueping Zhong

Print publication date: 2010

Print ISBN-13: 9780824834173

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824834173.001.0001

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PRINTED FROM HAWAII SCHOLARSHIP ONLINE (www.hawaii.universitypressscholarship.com). (c) Copyright Hawaii University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in HSO for personal use.date: 21 October 2019

Listening to Popular Poetics

Listening to Popular Poetics

Watching Songs Composed for Television Dramas

Chapter:
(p.144) Chapter Six Listening to Popular Poetics
Source:
Mainstream Culture Refocused
Author(s):

Xueping Zhong

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824834173.003.0007

This chapter focuses songs, especially their lyrics, composed for television dramas. In an age when poetry reading has become a marginalized activity, popular songs, including those composed for television dramas, have become (popular) poetics of the age.Together with the exponential increase in the production of television dramas in the last three decades, the bulk of songs composed for them has also accumulated into a phenomenon of its own. Some of them have become part of the regular repertoire of popular music, often heard independent of their original dramas. As part of television drama and popular culture, their musically conveyed expression manifests a range of sentiments, indeed the pathos of the age. As such, they offer another point of entry into understanding contemporary Chinese mainstream culture and the social and ideological implications within it.

Keywords:   theme songs, lyrics, popular songs, Chinese television dramas, popular music

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