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Gods, Ghosts, and GangstersRitual Violence, Martial Arts, and Masculinity on the Margins of Chinese Society$
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Avron Boretz

Print publication date: 2010

Print ISBN-13: 9780824833770

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824833770.001.0001

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PRINTED FROM HAWAII SCHOLARSHIP ONLINE (www.hawaii.universitypressscholarship.com). (c) Copyright Hawaii University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in HSO for personal use.date: 31 July 2021

Conclusion

Conclusion

Faces of the Gods

Chapter:
(p.204) Chapter 7 Conclusion
Source:
Gods, Ghosts, and Gangsters
Author(s):

Avron Boretz

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824833770.003.0007

This chapter returns to the initial question: What is actually happening in the act of martial ritual performance? It concludes that wu masculinity can be explained as a mode of cultural production, premised on a conventional aesthetics, through which performers make visible and tangible otherwise diffuse collective moods and expectations. Through ritual and social performances, these men present, as qualities intrinsic to their own bodies and biographies, emotions and desires linked to the often vexed nature of being a man in Chinese society. This vehicle of public performance empowers men to be agents of self-production, creating themselves through an enactment of the heroic, tragic, hypersexual, capriciously infantile, or aggressively violent phases comprising the habitus of Chinese wu masculinity.

Keywords:   martial ritual performance, wu masculinity, cultural production, public performance

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