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Adapted for the ScreenThe Cultural Politics of Modern Chinese Fiction and Film$
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Hsiu-Chuang Deppman

Print publication date: 2010

Print ISBN-13: 9780824833732

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824833732.001.0001

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Conclusion

Conclusion

Chapter:
(p.193) Conclusion
Source:
Adapted for the Screen
Author(s):

Hsiu-Chuang Deppman

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824833732.003.0008

This concluding chapter attempts to make some general remarks on the overall study, at the same time acknowledging that the sheer diversity of material explored in this volume will make such comments seem reductive. It remarks on the richness of characterization evident in the films discussed, explaining that the complex character psychologies embedded in the source texts, as well as a stylistic commitment to dialogue scenes in Chinese adaptation, are likely factors contributing to this trend. The chapter also looks to the future of Chinese adaptation, with an optimistic view of successes in cinematic fiction, the proliferation of multimodal adaptations, and the enduring appeal of even the most adaptable and adapted tale in the history of Chinese culture, the protean classic Journey to the West. The chapter concludes by turning toward the larger context of global artistic production.

Keywords:   characterization, Chinese adaptation, translingual adaptations adaptation, Journey to the West, cinematic fiction, multimodal adaptations, cross-cultural adaptations

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