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A Beggar's ArtScripting Modernity in Japanese Drama, 1900-1930$
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M. Cody Poulton

Print publication date: 2010

Print ISBN-13: 9780824833411

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824833411.001.0001

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PRINTED FROM HAWAII SCHOLARSHIP ONLINE (www.hawaii.universitypressscholarship.com). (c) Copyright Hawaii University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in HSO for personal use.date: 05 August 2021

Kikuchi Kan

Kikuchi Kan

Father Returns

Chapter:
(p.85) Kikuchi Kan
Source:
A Beggar's Art
Author(s):

M. Cody Poulton

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824833411.003.0005

This chapter covers Kikuchi Kan's play, Father Returns. Kikuchi was a master of the one-act play, focusing intensely on a single dramatic event and the characters embroiled in it, portraying it with utmost economy and tension. This brief play—it is less than thirty minutes long in performance—focuses on what happens to a family when the father, Sōtarō, a man who had abandoned the family some twenty years before, suddenly appears on the doorstep. The oldest son, Ken'ichirō, had assumed the father's role in his absence, and he is the one most upset by his return. Ken'ichirō is old enough to remember how his father squandered the family fortune and then ran off with another woman.

Keywords:   one-act plays, Father Returns, Kikuchi Kan, father–son conflict, intergenerational tensions, short plays

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