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A Beggar's ArtScripting Modernity in Japanese Drama, 1900-1930$
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M. Cody Poulton

Print publication date: 2010

Print ISBN-13: 9780824833411

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824833411.001.0001

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The Rise of Modern Drama, 1909–1924

The Rise of Modern Drama, 1909–1924

Chapter:
(p.29) Chapter 2 The Rise of Modern Drama, 1909–1924
Source:
A Beggar's Art
Author(s):

M. Cody Poulton

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824833411.003.0002

This chapter identifies the Taishō era and Henrik Ibsen with the birth of modern drama in Japan. It was also the birth of the shingeki movement, a fact that was borne out by another Ibsen production, that of A Doll House, by Tsubouchi Shōyō's Literary Society in 1911. But it was not only “young men” who were affected by Ibsen's plays. Almost singlehandedly, the plays were responsible for the “new woman” (atarashii onna) phenomenon. This was a time when modern theatre and drama became major players in the rising bourgeois culture. In short, Taishō was an era when theatre became a key forum for the exchange of artistic, social, and political ideas in Japan and drama came into its own as a literary form.

Keywords:   Taishō era, Henrik Ibsen, modern drama, shingeki movement, modern theatre

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