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Children of Marx and Coca-ColaChinese Avant-garde Art and Independent Cinema$
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Xiaoping Lin

Print publication date: 2009

Print ISBN-13: 9780824833367

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824833367.001.0001

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PRINTED FROM HAWAII SCHOLARSHIP ONLINE (www.hawaii.universitypressscholarship.com). (c) Copyright Hawaii University Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in HSO for personal use.date: 17 September 2021

Introduction

Introduction

Reading Chinese Avant-garde Art and Independent Cinema in Context

Chapter:
(p.1) Introduction
Source:
Children of Marx and Coca-Cola
Author(s):

Xiaoping Lin

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824833367.003.0011

This introductory chapter provides a background of Chinese avant-garde. From the late 1970s through the 1980s, Chinese avant-garde fought hard against the dominant power of Mao Zedong’s socialist ideology and, in particular, Socialist Realism. As a style and aesthetic method, Socialist Realism perfectly exemplifies “art as an institution,” and this “institution” had oppressed Chinese artists for decades. It is in this context that art curator Gao Minglu defines the avant-garde ’85 Movement as an “anti-traditional and anti-authoritative” movement, in which the artwork was never considered for its commercial or artistic value but was a “spiritual vehicle” to engage the public and society.

Keywords:   Chinese avant-garde, socialist ideology, Socialist Realism, Chinese artists, Gao Minglu, avant-garde movement

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