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The Alien WithinRepresentations of the Exotic in Twentieth-Century Japanese Literature$
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Leith Morton

Print publication date: 2009

Print ISBN-13: 9780824832926

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824832926.001.0001

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Naturalizing the Alien

Naturalizing the Alien

Yosano Akiko’s Revolution in Verse

Chapter:
(p.43) Chapter 2 Naturalizing the Alien
Source:
The Alien Within
Author(s):

Leith Morton

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824832926.003.0003

This chapter analyzes the poetic revolution accomplished mainly by Yosano Akiko: the modernization of traditional Japanese verse through the rewriting in language and content of waka, the mainstream form of Japanese poetry for millennia or more. The poet Yosano Akiko (1878–1942), together with her husband, Hiroshi, and other poets including Hiroshi's teacher Ochiai Naobumi (1861–1903), made the first historic attempt at reforming waka. In Akiko's case, she achieved this by adapting elements of versification that originated in translations and imitations of Western-style free verse. Thus, in her poetry, Akiko “naturalized” the alien by incorporating foreign verse structures—poetic figures as well as themes and narrative modes—into the most traditional of Japanese genres of poetry.

Keywords:   Yosano Akiko, waka, traditional Japanese verse, modernization, Western style, free verse, Japanese poetry, Ochiai Naobumi

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