Herself an Author: Gender, Agency, and Writing in Late Imperial China
Grace S. Fong
Abstract
This book addresses the critical question of how to approach the study of women's writing. It explores various methods of engaging in a meaningful way with a rich corpus of poetry and prose written by women of the late Ming and Qing periods. The book treats different genres of writing and includes translations of texts that are made available for the first time in English. Among the works considered are the life-long poetic record of Gan Lirou, the lyrical travel journal kept by Wang Fengxian, and the erotic poetry of the concubine Shen Cai. Taking the view that gentry women's varied textual p ... More
This book addresses the critical question of how to approach the study of women's writing. It explores various methods of engaging in a meaningful way with a rich corpus of poetry and prose written by women of the late Ming and Qing periods. The book treats different genres of writing and includes translations of texts that are made available for the first time in English. Among the works considered are the life-long poetic record of Gan Lirou, the lyrical travel journal kept by Wang Fengxian, and the erotic poetry of the concubine Shen Cai. Taking the view that gentry women's varied textual production was a form of cultural practice, the book examines women's autobiographical poetry collections, travel writings, and critical discourse on the subject of women's poetry, offering fresh insights on women's intervention into the dominant male literary tradition. The texts translated and discussed here include documents written by concubines—women who occupied a subordinate position in the family and social system. The book adopts the notion of agency as a theoretical focus to investigate forms of subjectivity and enactments of subject positions in the intersection between textual practice and social inscription. Reading the life and work of women writers reveals surprising instances and modes of self-empowerment within the gender constraints of Confucian orthodoxy. It argues that literate women in late imperial China used writing and reading to create literary and social communities, transcend temporal-spatial and social limitations, and represent themselves as the authors of their own life histories.
Keywords:
women's writing,
female poetry,
female prose,
Gan Lirou,
Wang Fengxian,
Shen Cai,
poetry collections,
travel writings,
concubines,
late imperial China
Bibliographic Information
Print publication date: 2008 |
Print ISBN-13: 9780824831868 |
Published to Hawaii Scholarship Online: November 2016 |
DOI:10.21313/hawaii/9780824831868.001.0001 |