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Broken VoicesPostcolonial Entanglements and the Preservation of Korea's Central Folksong Traditions$
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Roald Maliangkay

Print publication date: 2017

Print ISBN-13: 9780824866655

Published to Hawaii Scholarship Online: May 2018

DOI: 10.21313/hawaii/9780824866655.001.0001

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PRINTED FROM HAWAII SCHOLARSHIP ONLINE (www.hawaii.universitypressscholarship.com). (c) Copyright Hawaii University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in HSO for personal use (for details see www.universitypressscholarship.com/page/privacy-policy).date: 23 October 2018

Embodying Nostalgia

Embodying Nostalgia

Sŏdo Sori

Chapter:
(p.117) Chapter 4 Embodying Nostalgia
Source:
Broken Voices
Author(s):

Roald Maliangkay

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824866655.003.0005

This chapter examines the genre of Sŏdo sori, including the tradition of Paebaengi kut, a partly-sung, partly-narrated performing art that was categorized as the former. It examines the development of the repertoire of the genre and analyses its musical characteristics. The life stories of the first holders of the genre detail the impact of the Japanese colonial period and the media on opportunities for employment and conditions of performance. Detailed analysis of the music, repertoire, and presentation of the tradition demonstrates that various changes were effected before and after it was appointed Important Intangible Cultural Property.

Keywords:   Sŏdo sori, Paebaengi kut, colonial, media, preservation, human treasure, Korea, Kugak, Korean War, nostalgia

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