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Partners in PrintArtistic Collaboration and the Ukiyo-e Market$
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Julie Nelson Davis

Print publication date: 2014

Print ISBN-13: 9780824839383

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824839383.001.0001

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PRINTED FROM HAWAII SCHOLARSHIP ONLINE (www.hawaii.universitypressscholarship.com). (c) Copyright Hawaii University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in HSO for personal use (for details see http://www.universitypressscholarship.com/page/privacy-policy).date: 21 November 2017

Conclusion

Conclusion

Reconsidering Collaboration and Ukiyo Art Worlds

Chapter:
(p.185) Conclusion
Source:
Partners in Print
Author(s):

Julie Nelson Davis

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824839383.003.0005

This section summarizes the arguments made throughout the book. It begins with a study of an illustrated book that offers information about contemporary writers, illustrators, and publishers, arguing that this kind of material helped in the period construction of an ukiyo art world. In reviewing the main themes of the chapters, the conclusion proposes that these printed materials reproduced that art world’s terms of appraisal, and they relied upon its extended networks of contributors—from the paper and pigment makers to the name-brand artists and publishers to the varied patrons and viewers—as participants in an extended network of collaborators. These floating world represented more than the ideas and contributions of a single individual—they were produced through and for a social and aesthetic network.

Keywords:   Shikitei Sanba, publishers, artists, illustrators, writers, floating world, network, art world, collaboration, partnership

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