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Recasting Red Culture in Proletarian JapanChildhood, Korea, and the Historical Avant-Garde$
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Samuel Perry

Print publication date: 2014

Print ISBN-13: 9780824838935

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824838935.001.0001

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Comrades-in-Arms

Comrades-in-Arms

Zainichi Communists, Revolutionary Local Color, and the Antinomies of Colonial Representation

Chapter:
(p.124) Chapter 4 Comrades-in-Arms
Source:
Recasting Red Culture in Proletarian Japan
Author(s):

Samuel Perry

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824838935.003.0004

This chapter performs close readings of several works of Japanese proletarian literature produced at a time when Koreans made up at least a third if not more of the Japanese Communist Party. The complex figurations of Koreans in Japanese proletarian fiction at this time reflected the broader contradictions that governed their participation in the Communist Party, its labor unions, and the Japanese proletarian cultural movement in general, where they were often seen as the boldest of revolutionaries and simultaneously stigmatized as low-level activists. Depending on the site of their publication, Korean participation in the revolutionary movement was often represented in forms of literature that celebrated local color in the colonial peripheries or fetishized Koreans in exotic and seemingly nonrevolutionary ways. The chapter diverges from many recent studies of Japanese empire, however, in that it focuses exclusively on a Japanese resistance movement that was opposed to the empire. It tries to restore the complexity and contradictions of its contemporary critique of imperialism.

Keywords:   Japanese proletarian literature, Koreans, Japanese Communist Party, revolutionary movement, Japanese resistance movement, imperialism

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