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Passionate FriendshipThe Aesthetics of Girl's Culture in Japan$
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Deborah Shamoon

Print publication date: 2012

Print ISBN-13: 9780824835422

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824835422.001.0001

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PRINTED FROM HAWAII SCHOLARSHIP ONLINE (www.hawaii.universitypressscholarship.com). (c) Copyright Hawaii University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in HSO for personal use (for details see www.universitypressscholarship.com/page/privacy-policy).date: 22 October 2018

The Revolution in 1970s Shōjo Manga

The Revolution in 1970s Shōjo Manga

(p.101) Chapter 5 The Revolution in 1970s Shōjo Manga
Passionate Friendship

Deborah Shamoon

University of Hawai'i Press

This chapter examines how shōjo manga developed from a genre for children in the 1950s and 1960s to one for teenage girls in the 1970s through detailed analysis of two representative texts: Hagio Moto's Tōma no shinzō (The Heart of Thomas, 1974) and Ikeda Riyoko's Berusaiyu no bara (The Rose of Versailles, 1972–1973). The chapter first looks at a group of young women artists who became known as the Year 24 Group before discussing the theme of spiritual love in Tōma no shinzō and homogender romance in Berusaiyu no bara. It then considers the shift from S relationships between two girls to boys' love, along with the development of shōjo manga's discrete visual grammar. It also explores how shōjo manga became the narrative and aesthetic heirs to prewar girls' magazines.

Keywords:   shōjo manga, Hagio Moto, Tōma no shinzō, Ikeda Riyoko, Berusaiyu no bara, Year 24 Group, spiritual love, boys' love, homogender romance, girls' magazines

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