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The Painted KingArt, Activism, and Authenticity in Hawaii$
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Glenn Wharton

Print publication date: 2011

Print ISBN-13: 9780824834951

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824834951.001.0001

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PRINTED FROM HAWAII SCHOLARSHIP ONLINE (www.hawaii.universitypressscholarship.com). (c) Copyright Hawaii University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in HSO for personal use (for details see www.universitypressscholarship.com/page/privacy-policy).date: 16 October 2018

Looking to the Future

Looking to the Future

Chapter:
(p.164) 10 Looking to the Future
Source:
The Painted King
Author(s):

Glenn Wharton

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824834951.003.0010

This concluding chapter presents Glenn Wharton's reflection on the conservation project for the Kamehameha sculpture. As Wharton and her conservation members sudsed the sculpture and worked their brushes into the deep folds of red and yellow painted feathers, they realized how strained is their relationship with the administrators in Honolulu. Although some supported their efforts, especially after seeing Mary Tuti Baker's documentary King Kamehameha: A Legacy Renewed on public television, others remained staunchly against their participatory approach. In addition, the state continued to provide funds for maintaining the gold-leafed second cast in Honolulu, but refused local requests to help maintain the original cast.

Keywords:   Glenn Wharton, administrators, Honolulu, King Kamehameha, Kamehameha sculpture, conservation

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