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The Painted KingArt, Activism, and Authenticity in Hawaii$
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Glenn Wharton

Print publication date: 2011

Print ISBN-13: 9780824834951

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824834951.001.0001

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PRINTED FROM HAWAII SCHOLARSHIP ONLINE (www.hawaii.universitypressscholarship.com). (c) Copyright Hawaii University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in HSO for personal use (for details see http://www.universitypressscholarship.com/page/privacy-policy).date: 19 April 2018

The Community Takes Sides

The Community Takes Sides

Chapter:
(p.103) 7 The Community Takes Sides
Source:
The Painted King
Author(s):

Glenn Wharton

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824834951.003.0007

This chapter narrates the events surrounding a project, which aims to encourage North Kohala residents to think about the sculpture in a new way—not just as a spiritual, educational, political, and economic object, but as a “conservation object.” The project conducted public art activities for kids that made adults talk about the sculpture. One art class had created a tile mural depicting the sculpture at the bottom of the sea. They installed the tiles at the Kohala Hospital for Kamehameha Day in June 2001. Another class made a timeline relating moments in Kamehameha's life to other world events. Still another class made copies of known works of art featuring the sculpture.

Keywords:   North Kohala residents, North Kohala, conservation object, public art, Kamehameha, Kohala Hospita

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