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Dancing from the HeartMovement, Gender, and Sociality in the Cook Islands$
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Kalissa Alexeyeff

Print publication date: 2009

Print ISBN-13: 9780824832445

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824832445.001.0001

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PRINTED FROM HAWAII SCHOLARSHIP ONLINE (www.hawaii.universitypressscholarship.com). (c) Copyright Hawaii University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in HSO for personal use (for details see www.universitypressscholarship.com/page/privacy-policy).date: 21 September 2018

Paramount Queens

Paramount Queens

Femininity and Global/Local Dissonance

Chapter:
(p.107) Chapter Four Paramount Queens
Source:
Dancing from the Heart
Author(s):

Kalissa Alexeyeff

Publisher:
University of Hawai'i Press
DOI:10.21313/hawaii/9780824832445.003.0004

This chapter investigates the culturally specific ways in which cross-dressing and dancing connect with issues of gender, sex, and sexuality through femininity. In particular, it examines the 1998 Drag Queen competition, looking at the ways in which local and Western styles are put together by contestants. Throughout the competition, references (through personas, clothing, music, and movements) were made to Western drag shows and to local styles of cross-dressing and dancing. The individual performances also drew upon Western and Cook Islands notions of feminine beauty, sexuality (both same and opposite sex), and gender roles. However, the interaction between local and Western styles in the 1998 Drag Queen competition was not considered particularly successful.

Keywords:   drag queen competition, cross-dressing, Cook Islands, sexuality, gender, feminine beauty, drag shows, femininity

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