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Nights of StorytellingA Cultural History of Kanaky-New Caledonia$
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Raylene Ramsay

Print publication date: 2011

Print ISBN-13: 9780824832223

Published to Hawaii Scholarship Online: November 2016

DOI: 10.21313/hawaii/9780824832223.001.0001

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PRINTED FROM HAWAII SCHOLARSHIP ONLINE (www.hawaii.universitypressscholarship.com). (c) Copyright Hawaii University Press, 2019. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in HSO for personal use (for details see www.universitypressscholarship.com/page/privacy-policy).date: 26 March 2019

Critique of Custom

Critique of Custom

(p.279) Chapter Twenty Critique of Custom
Nights of Storytelling
Raylene Ramsay
University of Hawai'i Press

This chapter presents Déwé Gorodé's poems and extracts from her novels, and an extract from a play by Pierre Gope. These include Gorod''s poem, “Kanak Reserves” (Réserves Kanakes), where the reserves, seen as ghettoes, are presented in a negatively connoted litany: picking coffee, a crop planted for private (European) profit, consuming alcohol that results in violence against women, replacing the traditional strings of adi with pieces of material and banknotes, obeying elders who have sold their souls to the Europeans in power while the ecological and economic spoliations of the nickel industry and cattle raising go unaddressed. Gope's play Okorenetit?/Où est le droit? (Where is justice?) (1997) tells the story of a young Kanak woman seeking redress for rape. Here Gope speaks out to raise awareness of the urgency of the contemporary problem posed in Kanak society by violence against women.

Keywords:   Déwé Gorodé, Pierre Gope, New Caledonia, poems, poetry, plays, Kanak women

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